5/10/2023 0 Comments The style council francoise![]() Mouly praised his “universal way to address the point of view of individuals in daily life, common situations” in drawings that spoke to people from Paris to New York.Ī 71-year-old French artist known as Gabs said Sempe inspired him to become a cartoonist. a reader of the print version of the New Yorker who doesn't know who Sempe is,” Francoise Mouly, the publication's current art director, said in an interview with French newspaper Liberation. Despite its unequivocal Frenchness, Sempe's work touched a universal nerve, portraying culture-crossing human follies and neuroses. He drew more than 100 covers for The New Yorker after meeting the magazine's art director in Paris in 1978. I love Paris, too, but it's not the same.” Paris, where I live, is beautiful but it's always gray. “They're dynamic: bright yellows, greens, reds, and blues. “I love the colors in New York,” he said. But he also found inspiration in The New Yorker's hometown, the magazine noted in an homage published on Instagram. Sempe captured the thin, fashionable haute bourgeoisie of Paris and mustachioed, beret-wearing townsfolk, all bearing hallmark hulking noses and replete with bicycles, baguettes, books and tractors. “You get thinking about something that little by little starts taking shape in your mind.” “It takes me a very long time, weeks or even months for me to get it right,” Sempe told The Associated Press in a 2011 interview. In his native France, he found fame with illustrations for the classic “Le Petit Nicolas” (“Little Nicholas”) children's book series, and went on to specialize in drawings about life's simple pleasures. The drawing epitomizes the artist's gentle ironic universe, sublimated by vivid watercolors and a breezy and seemingly effortless style. ![]() 14, 1978 cover depicted the facade of a New York building, with a bald-headed bird with glasses in a suit perched on a high-up window and enlightened by pale yellow rays of sunshine. Outside the church, a poster of Sempe's first New Yorker cover stood next to a black-and-white portrait of him festooned with flowers. A private funeral was held at the city's renowned Montparnasse cemetery. Friends and relatives honored the artist, who died last week at age 89, and his legacy. in the United States - took place Friday at the Church of Saint-Germain-des-Pres in Paris. Family, friends and fans have paid tribute to French cartoonist Jean-Jacques Sempe, whose simple line drawings tinted with humor graced the covers of The New Yorker magazine and granted him international acclaim.Ī funeral Mass for Sempe - affectionately known as J.J.
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